Spiegel vs. OMA, “An Obsessive Compulsion towards the Spectacular” 111 First Street Museum, Jersey City, NJ, 2006 (via archlab)
Shohei Shigematsu and Rem Koolhaas survey their model for the 2006 proposal for the new Jersey City Museum.

Spiegel vs. OMA, “An Obsessive Compulsion towards the Spectacular111 First Street Museum, Jersey City, NJ, 2006 (via archlab)

Shohei Shigematsu and Rem Koolhaas survey their model for the 2006 proposal for the new Jersey City Museum.

OMA, de Rotterdam, Rotterdam, Netherlands, 2009-13
“De Rotterdam is conceived as a vertical city: three interconnected mixed-use towers accommodating offices, apartments, a hotel, conference facilities, gym, shops, restaurants, and cafes. The project began in 1997 and will go under construction at the end of 2009, with completion scheduled for 2013. The towers are part of the ongoing redevelopment of the old harbour district of Wilhelminapier, next to the Erasmus Bridge, and aim to reinstate the vibrant urban activity – trade, transport, leisure – once familiar to the neighbourhood. De Rotterdam is named after one of the ships on the Holland America Line, which departed from the Wilhelminapier in decades past, carrying thousands of Europeans emigrating to the US. The three towers reach 150m high, with a gross floor area of approximately 160,000m2 [1.7 million sf], making De Rotterdam the largest building in the Netherlands. OMA’s architectural concept produces more than sheer size: urban density and diversity – both in the program and the form – are the guiding principals of the project. De Rotterdam’s stacked towers are arranged in a subtly irregular cluster that refuses to resolve into a singular form and produces intriguing new views from different perspectives. Similarly, the definition of the building changes according to its multiple uses internally.  The various programs of this urban complex are organized into distinct blocks, providing both clarity and synergy: residents and office workers alike can use the fitness facilities, restaurants, and conference rooms of the hotel. And these private users of the building have contact with the general public on the ground floor, with its waterfront cafes. The lobbies for the offices, hotel, and apartments are located in the plinth – a long elevated hall that serves as a general traffic hub for De Rotterdam’s wide variety of users.”

OMA, de Rotterdam, Rotterdam, Netherlands, 2009-13

“De Rotterdam is conceived as a vertical city: three interconnected mixed-use towers accommodating offices, apartments, a hotel, conference facilities, gym, shops, restaurants, and cafes. The project began in 1997 and will go under construction at the end of 2009, with completion scheduled for 2013. The towers are part of the ongoing redevelopment of the old harbour district of Wilhelminapier, next to the Erasmus Bridge, and aim to reinstate the vibrant urban activity – trade, transport, leisure – once familiar to the neighbourhood. De Rotterdam is named after one of the ships on the Holland America Line, which departed from the Wilhelminapier in decades past, carrying thousands of Europeans emigrating to the US. The three towers reach 150m high, with a gross floor area of approximately 160,000m2 [1.7 million sf], making De Rotterdam the largest building in the Netherlands. OMA’s architectural concept produces more than sheer size: urban density and diversity – both in the program and the form – are the guiding principals of the project. De Rotterdam’s stacked towers are arranged in a subtly irregular cluster that refuses to resolve into a singular form and produces intriguing new views from different perspectives. Similarly, the definition of the building changes according to its multiple uses internally.  The various programs of this urban complex are organized into distinct blocks, providing both clarity and synergy: residents and office workers alike can use the fitness facilities, restaurants, and conference rooms of the hotel. And these private users of the building have contact with the general public on the ground floor, with its waterfront cafes. The lobbies for the offices, hotel, and apartments are located in the plinth – a long elevated hall that serves as a general traffic hub for De Rotterdam’s wide variety of users.”

Rem Koolhaas / OMA, Models of the Très Grande Bibliothèque, Paris, France, 1989

“Dear Diary, Do we want to win this competition or not?”

Georges Heintz + Rem Koolhaas, First Formal Drawing for Très Grande Bibliothèque, Paris, France, 1989
“Astonishingly absurd, astonishingly beautiful. Beyond all exploitation, there is also altruism at work: OMA - a machine to fabricate fantasy - is structured for others to have the eurekas.”

Georges Heintz + Rem Koolhaas, First Formal Drawing for Très Grande Bibliothèque, Paris, France, 1989

“Astonishingly absurd, astonishingly beautiful. Beyond all exploitation, there is also altruism at work: OMA - a machine to fabricate fantasy - is structured for others to have the eurekas.”

Rem Koolhaas, Sketch for ZKM / Très Grande Bibliothèque, Paris, France, 1989
“An old sketch for ZKM, suddenly pregnant.”

Rem Koolhaas, Sketch for ZKM / Très Grande Bibliothèque, Paris, France, 1989

“An old sketch for ZKM, suddenly pregnant.”

Carrère and Hastings, Rose Reading Room of the Public Library, New York City, NY,  1897–1911 (via archidose)
Where Rem Koolhaas wrote Delirious New York in 1978.

Carrère and Hastings, Rose Reading Room of the Public Library, New York City, NY,  1897–1911 (via archidose)

Where Rem Koolhaas wrote Delirious New York in 1978.

"Imagine a building consisting of regular and irregular spaces, where the most important parts of the building consist of an absence of building"
Rem Koolhaas, On the Proposal for the Très Grande Bibliothèque, Paris, France, 1989
Rem Koolhaas / OMA, Section of the Proposal for the Bibliotheque de France, Paris, 1989 (via joostmeuwissen)

Rem Koolhaas / OMA, Section of the Proposal for the Bibliotheque de France, Paris, 1989 (via joostmeuwissen)

Samuel Friede, Globe Tower, Coney Island, NY, c. 1906 (via westland)

Samuel Friede, Globe Tower, Coney Island, NY, c. 1906 (via westland)

Rem Koolhaas, Exodus Or the Voluntary Prisoners of Architecture, London, England 1972 (via boiteaoutils)

Rem Koolhaas, Exodus Or the Voluntary Prisoners of Architecture, London, England 1972 (via boiteaoutils)

Rem Koolhaas, Exodus Or the Voluntary Prisoners of Architecture, London, England 1972 (via boiteaoutils)

"There is a great misunderstanding among architects. They think they are inventors and always need to be avant-garde. But you cannot permanently exist as an avant-garde. That is impossible. Architecture can be carried forward in a dialectical process, meaning a confrontation with the existing or with that which one wants to provoke at a certain moment. From a morphological point of view – which is not exclusive but inclusive, and not contrary but complementary – you can assess that certain elements are missing that could be added."
O.M. Ungers to Rem Koolhaas, c. 2007
"The richest ideas are left in the dustbin of history; the more discredited on the platform of good taste, the more innovative on the platform of content."
Rem Koolhaas, c. 1991
"I’m horrified by the fatality that leads each generation to contradict the preceding one."
Rem Koolhaas, c. 1990
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