Mikyoun Kim Design, Farrar Pond Project, c. 2012 (via remash)
Christo and Jean-Claude, Project for a Wrapped Public Building, Paris, France, 1961 (via archiveofaffinities)

Christo and Jean-Claude, Project for a Wrapped Public Building, Paris, France, 1961 (via archiveofaffinities)

O.E .Bieber, Project for a Skyscraper Competition, Cologne, Germany, 1925 (via archiveofaffinities)

O.E .Bieber, Project for a Skyscraper Competition, Cologne, Germany, 1925 (via archiveofaffinities)

Ivan Leonidov, Planning of the Socialist Settlement at Magnitogorsk Chemical and Metallurgical Combine, Competition Project, Magnitogorsk, Russia, 1930

Ivan Leonidov, Planning of the Socialist Settlement at Magnitogorsk Chemical and Metallurgical Combine, Competition Project, Magnitogorsk, Russia, 1930

Ivan Leonidov, Planning of the Socialist Settlement at Magnitogorsk Chemical and Metallurgical Combine, Competition Project, Magnitogorsk, Russia, 1930 (via archiveofaffinities)

Ivan Leonidov, Planning of the Socialist Settlement at Magnitogorsk Chemical and Metallurgical Combine, Competition Project, Magnitogorsk, Russia, 1930 (via archiveofaffinities)

O.M. Ungers, Project for a Student Hostel, Enschede, Netherlands, 1964 (via brutalism)

O.M. Ungers, Project for a Student Hostel, Enschede, Netherlands, 1964 (via brutalism)

Gunter Gunschel, Project for a Dome Composed of Hyperbolic Paraboloids, 1957 (via archiveofaffinities)

Gunter Gunschel, Project for a Dome Composed of Hyperbolic Paraboloids, 1957 (via archiveofaffinities)

Walter Benjamin, Passagenwerk / Arcades Project, 1927-40
“The Passagenwerk or Arcades Project was an unfinished lifelong  project of philosopher Walter Benjamin, an enormous collection of  writings on the city life of Paris in the 19th century, especially  concerned with the iron-and-glass covered “arcades” (Passages couverts de Paris). Benjamin’s Project, which many  scholars believe might have become one of the great texts of  20th-century cultural criticism, was never completed due to his death  under uncertain circumstances on the French-Spanish border in 1940.  Written between 1927 and 1940, the Arcades Project has been posthumously  edited and published in many languages as a collection of unfinished  reflections. These arcades began to be constructed around the  beginning of the nineteenth century and were sometimes destroyed as a  result of Baron Haussmann’s renovation of Paris during the Second French  Empire. Benjamin linked them to the city’s distinctive street life and  saw them as providing one of the habitats of the Flâneur (i.e.,  strolling in a locale to experience it).”

Walter Benjamin, Passagenwerk / Arcades Project, 1927-40

“The Passagenwerk or Arcades Project was an unfinished lifelong project of philosopher Walter Benjamin, an enormous collection of writings on the city life of Paris in the 19th century, especially concerned with the iron-and-glass covered “arcades” (Passages couverts de Paris). Benjamin’s Project, which many scholars believe might have become one of the great texts of 20th-century cultural criticism, was never completed due to his death under uncertain circumstances on the French-Spanish border in 1940. Written between 1927 and 1940, the Arcades Project has been posthumously edited and published in many languages as a collection of unfinished reflections. These arcades began to be constructed around the beginning of the nineteenth century and were sometimes destroyed as a result of Baron Haussmann’s renovation of Paris during the Second French Empire. Benjamin linked them to the city’s distinctive street life and saw them as providing one of the habitats of the Flâneur (i.e., strolling in a locale to experience it).”

Christo and Jeanne-Claude, Ten Million Oil Drums Wall: Project for the Suez Canal, 1972 (via archiveofaffinities)

Christo and Jeanne-Claude, Ten Million Oil Drums Wall: Project for the Suez Canal, 1972 (via archiveofaffinities)

Hungarian architect Farkas Molnar (1897–1945), The Red Cube, 1922-3
“He became a leading member of the Modern  Movement between the wars. At the Bauhaus he designed his Red Cube  House which was to be published, and is associated with Hungarian  Activism. In 1929, at the invitation of Gropius,  he contributed to the CIAM conference on ‘The Small Apartment’, after which he and others formed  the Hungarian branch of CIAM.  A powerful protagonist of International Modernism,  Molnár designed several white-rendered blocky houses, with bold cantilevers and deep terraces,  set in the hills around Budapest, clearly influenced by De Stijl. Some  of his designs (e.g. Houses on Cserje (1931) and Lejtö (1932) Streets,  Budapest) are paradigms of the International Style that gelled at the Weissenhofsiedlung,  Stuttgart, in 1927. His Budapest apartment-blocks on Lotz Károly Street  (1933) and Pasaréti Avenue (1937) are also significant. For a brief  period in 1933 he collaborated with Breuer before the latter emigrated to America. Molnár was killed during the Soviet siege of Budapest (1945).”

Hungarian architect Farkas Molnar (1897–1945), The Red Cube, 1922-3

“He became a leading member of the Modern Movement between the wars. At the Bauhaus he designed his Red Cube House which was to be published, and is associated with Hungarian Activism. In 1929, at the invitation of Gropius, he contributed to the CIAM conference on ‘The Small Apartment’, after which he and others formed the Hungarian branch of CIAM. A powerful protagonist of International Modernism, Molnár designed several white-rendered blocky houses, with bold cantilevers and deep terraces, set in the hills around Budapest, clearly influenced by De Stijl. Some of his designs (e.g. Houses on Cserje (1931) and Lejtö (1932) Streets, Budapest) are paradigms of the International Style that gelled at the Weissenhofsiedlung, Stuttgart, in 1927. His Budapest apartment-blocks on Lotz Károly Street (1933) and Pasaréti Avenue (1937) are also significant. For a brief period in 1933 he collaborated with Breuer before the latter emigrated to America. Molnár was killed during the Soviet siege of Budapest (1945).”

Frank Lloyd Wright, Scheme 2 for the Point Park Civic Center Project, Pittsburgh, PA, c. 1947

Frank Lloyd Wright, Scheme 2 for the Point Park Civic Center Project, Pittsburgh, PA, c. 1947

Thomas Hillier, Pavilions Project, Bartlett, 2011 (via raddblog; bustler)

Thomas Hillier, Pavilions Project, Bartlett, 2011 (via raddblog; bustler)

Jerry Lai, Cliffhanger: Alfred Hitchcock Foundation Project, 2011 (via raddblog)
One of the winners of the most recent 35th Annual  Ken Roberts Memorial Delineation Competition.
Mack Scogin Merrill Elam Architects, Science Center Project, Wolfsburg, Germany, 1999

Mack Scogin Merrill Elam Architects, Science Center Project, Wolfsburg, Germany, 1999

Hans Poelzig, Water Tower, Hamburg, Germany, 1910 (via archiveofaffinities)
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