Arnold Genthe, Barefoot Isadora Duncan, 1915–8
Arnold Genthe, Barefoot Isadora Duncan, 1915–8
Doughnut City: Houston, TX, c. 2000 (via intrusionesarch)
The term Doughnut City is used to describe a phenomenon that affects the physical shape of some cities of the North American Sun Belt. It consists of the concentration of urban activity on the ring road (where the newest and most advanced generation of housing estates and office parks are located) and the parallel physical disappearance of all that remains inside (the interior is affected by an accelerated process of obsolescence that leads to the demolition of a multitude of buildings). Viewed from a European perspective, the Doughnut City is a phenomenon that goes against nature. If in the cities of the Old Continent proximity to the center means an added value, in the Doughnut City quite the reverse is true: the most eligible urban areas are on the final periphery.
Greg White, Endless Interior, c. 2012 (via beconinriot)
Francesco de Sanctis, Spanish Steps, Rome, Italy, 1717-25
“Following a competition in 1717 the steps were designed by the little-known Francesco de Sanctis,though Alessandro Specchi was long thought to have produced the winning entry. Generations of heated discussion over how the steep slope to the church on a shoulder of the Pincio should be urbanised preceded the final execution. Archival drawings from the 1580s show that Pope Gregory XIII was interested in constructing a stair to the recently completed façade of the French church. Gaspar van Wittel’s view of the wooded slope in 1683, before the Scalinata was built, is conserved in the Galleria Nazionale, Rome. The Roman-educated Cardinal Mazarin took a personal interest in the project that had been stipulated in Gueffier’s will and entrusted it to his agent in Rome, whose plan included an equestrian monument of Louis XIV, an ambitious intrusion that created a furor in papal Rome. Mazarin died in 1661, the pope in 1667, and Gueffier’s will was successfully contested by a nephew who claimed half; so the project lay dormant until Pope Clement XI Albani renewed interest in it. The Bourbon fleur-de-lys and Innocent XIII’s eagle and crown are carefully balanced in the sculptural details. The solution is a gigantic inflation of some conventions of terraced garden stairs.”
(Source: black-leather)
Photographer Walter Hege, Base of Ionic Column on the North Porch of the Erechtheion on the Acropolis, Athens, Greece, c. 1930 (via METMuseum)
(Source: less-ismore)
Elizabeth Gordon and Frank Lloyd Wright at Taliesin West, Scottsdale, AZ, c. 1959
Allied Architects / Lloyd Wright, Hollywood Bowl, Los Angeles, CA, 1929-37 (viahbhistory)
Clorindo Testa, Bank of London and South America, Buenos Aires, Argentina, 1959-6 (via brutalism)
Victor Enrich, Medusa Tel Aviv, 2011
“Second image of the Orchid Hotel. Each balcony tries to get a better view of the sea as the building is placed 90 degrees to it… bad bad bad.”
Victor Enrich, Tongues Tel Aviv, 2010
“The first house I see every time I left home in Tel Aviv. An example of the Bauhaus style…well know for it’s pulchritude, and “German” order… except for this poor building…”
Victor Enrich, Opera Tel Aviv, 2010
“One day I come to my office and I see that it has been eaten by a monstrous orange spherical creature. I take the day off. The orange goes as it is the opposite color of the light blue of the glass. Opera goes for the name of the tower. The picture is taken from a construction site of the hospital in front of it.”
Vernacular Silos: A Dialogue in the Fog, c. 2011 (via aurum-design)
Mayumi Miyawaki, Blue Box House, Tokyo, Japan, 1971 (via yeahbrutalism)
Archizoom, Quartieri paralleli per Berlino, Berlin, Germany, 1969 (via polychroniadis)
(Source: somethingconstructed)