Saul Steinberg, Hotel Emperor, Manhattan, NY, 1951 (via archiveofaffinities)
Wonder if Philip Johnson saw Steinberg’s work before he did the AT&T Building.
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chronicling a labyrinth of architectural + personal contemplation based in atlanta
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Dana Fradon, “Burton, Hodge & Woll Architects: Form Follows Money,” The New Yorker, 2/15/1988 (via newyorker)
New Yorker Cartoon on Architecture, 1934
panutfla, “Massimo Vignelli-Inspired Eustace Tilley,” The New Yorker Magazine, 2007 (via 2ndavsagas)
Art Spiegelman, Cover for The New Yorker, September 24, 2001
‘Spiegelman’s cover for the September 24, 2001 issue of The New Yorker was influenced by the black-on-black paintings ofAd Reinhardt. Spiegelman, who lives in Lower Manhattan, later reprised this image for the front cover of his book, In the Shadow of No Towers (Pantheon, 2004), a graphic novel about the 9/11 attacks.’
Saul Steinberg, “View of the World from 9th Avenue”, Cover for The New Yorker, March 29, 1976
‘Steinberg created eighty-five covers and six-hundred forty-two internal drawings and illustrations for the magazine. His most famous work is probably its March 29, 1976, an illustration titled “View of the World from 9th Avenue”, sometimes referred to as “A Parochial New Yorker’s View of the World” or “A New Yorker’s View of the World”, which depicts a map of the world as seen by self-absorbed New Yorkers.’
(Source: newyorkerstore.com)
Daniel Clowes (b. 1961), The 21st Century Zeitgeist, Cover for The New Yorker, May 24, 2010
