Gio Ponti, Cover of Domus, 1955

Gio Ponti, Cover of Domus, 1955

Piet Holstein, Casabella 347 Cover, 1970 (via andreasangelidakis)
Mack Reynolds, Commune 2000 AD, 1974 (via ethel-baraona)
David Weinberger, Cover of Everything is Miscellaneous: The Power of the New Digital Disorder, 2007
Ray Bradbury, Cover for Fahrenheit 451, 1953 (via skibinskipedia; nevver)
Fumito  Ueda, Cover Art for Ico, 2001

Fumito Ueda, Cover Art for Ico, 2001

Henry van de Velde, Cover Design of the Insel Edition of Friedrich Nietzsche’s Ecce  Homo, 1908

Henry van de Velde, Cover Design of the Insel Edition of Friedrich Nietzsche’s Ecce Homo, 1908

Kurt Vonnegut, Original Cover of Cat’s Cradle, 1963

Kurt Vonnegut, Original Cover of Cat’s Cradle, 1963

panutfla, “Massimo Vignelli-Inspired Eustace Tilley,” The New Yorker Magazine, 2007 (via 2ndavsagas)

panutfla, “Massimo Vignelli-Inspired Eustace Tilley,” The New Yorker Magazine, 2007 (via 2ndavsagas)

Chromeo, Business Casual, 2010

Chromeo, Business Casual, 2010

tags: chromeo cover

Architects of Time II, 1920s-1950s (via coverbrowser)

  1. Ralph A. Cram (1863-1942) - Dec. 13, 1926
  2. William A. Delano (1874-1960) - June 2, 1930
  3. Charles Luckman (1909-99) - June 10, 1946
  4. Wallace K. Harrison (1895-1981)- Sep. 22, 1952

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Architects of Time I, 1930s-1970s (via coverbrowser)

  1. Frank Lloyd Wright (1867-1959) - Jan. 17, 1938
  2. Lewis Mumford (1895-1990) - Apr. 18, 1938
  3. Richard J. Neutra (1892-1970) - Aug. 15, 1949
  4. Eero Saarinen (1910-61) - July 2, 1956
  5. Le Corbusier (1887-1965) - May 5, 1961
  6. Minoru Yamasaki (1912-86) - Jan. 18, 1963
  7. William L. Pereira (1909-85) - Sep. 6, 1963
  8. R. Buckminster Fuller (1895-1983) - Jan. 10, 1964
  9. Philip Johnson (1906-2005) - Jan. 8, 1979

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Art Spiegelman, Cover for The New Yorker, September 24, 2001
‘Spiegelman’s cover for the September 24, 2001 issue of The New Yorker was influenced by the black-on-black paintings ofAd Reinhardt. Spiegelman, who lives in Lower Manhattan, later reprised this image for the front cover of his book, In the Shadow of No Towers (Pantheon, 2004), a graphic novel about the 9/11 attacks.’

Art Spiegelman, Cover for The New Yorker, September 24, 2001

Spiegelman’s cover for the September 24, 2001 issue of The New Yorker was influenced by the black-on-black paintings ofAd Reinhardt. Spiegelman, who lives in Lower Manhattan, later reprised this image for the front cover of his book, In the Shadow of No Towers (Pantheon, 2004), a graphic novel about the 9/11 attacks.’

Saul Steinberg, “View of the World from 9th Avenue”, Cover for The New Yorker, March 29, 1976
‘Steinberg created eighty-five covers and six-hundred forty-two internal drawings and illustrations for the magazine. His most famous work is probably its March 29, 1976, an illustration titled “View of the World from 9th Avenue”, sometimes referred to as “A Parochial New Yorker’s View of the World” or “A New Yorker’s View of the World”, which depicts a map of the world as seen by self-absorbed New Yorkers.’

Saul Steinberg“View of the World from 9th Avenue”, Cover for The New Yorker, March 29, 1976

Steinberg created eighty-five covers and six-hundred forty-two internal drawings and illustrations for the magazine. His most famous work is probably its March 29, 1976, an illustration titled “View of the World from 9th Avenue”, sometimes referred to as “A Parochial New Yorker’s View of the World” or “A New Yorker’s View of the World”, which depicts a map of the world as seen by self-absorbed New Yorkers.’

(Source: newyorkerstore.com)

The Beatles, Abbey Road, 1969
The most famous crosswalk you’ve seen but didn’t think about.
“A zebra crossing is a type of pedestrian crossing used in many places around the world. Its distinguishing feature is alternating dark and light stripes on the road surface, from which it derives its name. A zebra crossing typically gives extra rights of way to pedestrians.”

The Beatles, Abbey Road, 1969

The most famous crosswalk you’ve seen but didn’t think about.

“A zebra crossing is a type of pedestrian crossing used in many places around the world. Its distinguishing feature is alternating dark and light stripes on the road surface, from which it derives its name. A zebra crossing typically gives extra rights of way to pedestrians.”

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