Grolier Society, Colossus of Rhodes in the Book of Knowledge, c. 292-80 BCE
Grolier Society, Colossus of Rhodes in the Book of Knowledge, c. 292-80 BCE
Walter Benjamin, Passagenwerk / Arcades Project, 1927-40
“The Passagenwerk or Arcades Project was an unfinished lifelong project of philosopher Walter Benjamin, an enormous collection of writings on the city life of Paris in the 19th century, especially concerned with the iron-and-glass covered “arcades” (Passages couverts de Paris). Benjamin’s Project, which many scholars believe might have become one of the great texts of 20th-century cultural criticism, was never completed due to his death under uncertain circumstances on the French-Spanish border in 1940. Written between 1927 and 1940, the Arcades Project has been posthumously edited and published in many languages as a collection of unfinished reflections. These arcades began to be constructed around the beginning of the nineteenth century and were sometimes destroyed as a result of Baron Haussmann’s renovation of Paris during the Second French Empire. Benjamin linked them to the city’s distinctive street life and saw them as providing one of the habitats of the Flâneur (i.e., strolling in a locale to experience it).”
Ray Bradbury, Cover for Fahrenheit 451, 1953 (via skibinskipedia; nevver)
Henry van de Velde, Cover Design of the Insel Edition of Friedrich Nietzsche’s Ecce Homo, 1908
Lukas Feireiss, Utopia Forever: Visions of Architecture and Urbanism, 2011 (via gestaltenspace; ethel-baraona)
“Editor Lukas Feireiss will open up the topic of utopian architecture by introducing the best examples of experimental architecture propositions—master plans, floating islands, and flying fortresses, to visionary cityscapes and extraordinary habitats. Read more here.”
Stefanie Posavec, Diagrammatic Analysis of Modern Classics in Fiction, 2011 (via nevver)
“Posavec took the First Chapters of some modern classics and mapped out their author’s writing styles based on words per sentence to generate drawings of the first chapters of various modern classics: the more tightly wound the drawing means a shorter, choppier flow of sentences was used, while a larger drawing represents a writing style that utilises long, flowing sentences.”
Jack Kerouac, Map Charting His Trips from On the Road, 1947-50
Red = 1947, Blue = 1949, Green = 1950
OMA / Rem Koolhaas, Media Diagram for Seattle Public Library, 2004
Kurt Vonnegut, Original Cover of Cat’s Cradle, 1963