Anatoly Fomenko, Selection from Monster Brains, c. 1980s (via polychroniadis)

Anatoly Fomenko, Selection from Monster Brains, c. 1980s (via polychroniadis)

Section of the Shaft of the Dead Man, Lascaux Cave, France, c. 17,300 BCE (via archiveofaffinities)

Section of the Shaft of the Dead Man, Lascaux Cave, France, c. 17,300 BCE (via archiveofaffinities)

Weimer Pursell, Poster for the Century of Progress International Exposition, Chicago, IL, 1933

Weimer Pursell, Poster for the Century of Progress International Exposition, Chicago, IL, 1933

Zoltan Kemeny, Banlieu des Anges, 1958 (via archiveofaffinities)

Zoltan Kemeny, Banlieu des Anges, 1958 (via archiveofaffinities)

Georges Adilon, Institute Sainte-Marie, La Verpilliere, France, 1976 (via subtilitas)
Spiegel vs. OMA, “An Obsessive Compulsion towards the Spectacular” 111 First Street Museum, Jersey City, NJ, 2006 (via archlab)
Shohei Shigematsu and Rem Koolhaas survey their model for the 2006 proposal for the new Jersey City Museum.

Spiegel vs. OMA, “An Obsessive Compulsion towards the Spectacular111 First Street Museum, Jersey City, NJ, 2006 (via archlab)

Shohei Shigematsu and Rem Koolhaas survey their model for the 2006 proposal for the new Jersey City Museum.

Map of Oakland Cemetery, Atlanta, GA, 1850

Map of Oakland Cemetery, Atlanta, GA, 1850

Khedive Abbas II, Montaza Palace, Alexandria, Egypt, 1892
Charlotte Birnbaum, “The Watchtower” from The Beauty of the Fold, 2012 (via NicolaTwilley)
Including this “Watchtower” from the “Obelisk” group, Birnbaum has identified nine families of folding napkins:
Blintzes
Caps
Fans
Layers
Lilies
Obelisks
Rolls
Sachets
Twins
_

Charlotte Birnbaum, “The Watchtower” from The Beauty of the Fold, 2012 (via NicolaTwilley)

Including this “Watchtower” from the “Obelisk” group, Birnbaum has identified nine families of folding napkins:

  1. Blintzes
  2. Caps
  3. Fans
  4. Layers
  5. Lilies
  6. Obelisks
  7. Rolls
  8. Sachets
  9. Twins

_

Studio H:T Architecture, Shield House, Denver, CO, 2010 (via worldarch)
Alberto Campo Baeza, Proposal for a House in Zahara, Cadiz, Spain, c.2012 (via subtilitas)
“After working on the design for a new house facing the sea, the House in Zahara, Cadiz, for a long time, I now see clearly the solution of a PODIUM, ALL PODIUM, ONLY PODIUM. As if it were a jetty into the sea, so that, over there, on an emphatic horizontal plane, cleared and stripped down, it faces the distant horizon traced by the sea where the sun goes down.”

Alberto Campo Baeza, Proposal for a House in Zahara, Cadiz, Spain, c.2012 (via subtilitas)

“After working on the design for a new house facing the sea, the House in Zahara, Cadiz, for a long time, I now see clearly the solution of a PODIUM, ALL PODIUM, ONLY PODIUM. As if it were a jetty into the sea, so that, over there, on an emphatic horizontal plane, cleared and stripped down, it faces the distant horizon traced by the sea where the sun goes down.”

OMA, de Rotterdam, Rotterdam, Netherlands, 2009-13
“De Rotterdam is conceived as a vertical city: three interconnected mixed-use towers accommodating offices, apartments, a hotel, conference facilities, gym, shops, restaurants, and cafes. The project began in 1997 and will go under construction at the end of 2009, with completion scheduled for 2013. The towers are part of the ongoing redevelopment of the old harbour district of Wilhelminapier, next to the Erasmus Bridge, and aim to reinstate the vibrant urban activity – trade, transport, leisure – once familiar to the neighbourhood. De Rotterdam is named after one of the ships on the Holland America Line, which departed from the Wilhelminapier in decades past, carrying thousands of Europeans emigrating to the US. The three towers reach 150m high, with a gross floor area of approximately 160,000m2 [1.7 million sf], making De Rotterdam the largest building in the Netherlands. OMA’s architectural concept produces more than sheer size: urban density and diversity – both in the program and the form – are the guiding principals of the project. De Rotterdam’s stacked towers are arranged in a subtly irregular cluster that refuses to resolve into a singular form and produces intriguing new views from different perspectives. Similarly, the definition of the building changes according to its multiple uses internally.  The various programs of this urban complex are organized into distinct blocks, providing both clarity and synergy: residents and office workers alike can use the fitness facilities, restaurants, and conference rooms of the hotel. And these private users of the building have contact with the general public on the ground floor, with its waterfront cafes. The lobbies for the offices, hotel, and apartments are located in the plinth – a long elevated hall that serves as a general traffic hub for De Rotterdam’s wide variety of users.”

OMA, de Rotterdam, Rotterdam, Netherlands, 2009-13

“De Rotterdam is conceived as a vertical city: three interconnected mixed-use towers accommodating offices, apartments, a hotel, conference facilities, gym, shops, restaurants, and cafes. The project began in 1997 and will go under construction at the end of 2009, with completion scheduled for 2013. The towers are part of the ongoing redevelopment of the old harbour district of Wilhelminapier, next to the Erasmus Bridge, and aim to reinstate the vibrant urban activity – trade, transport, leisure – once familiar to the neighbourhood. De Rotterdam is named after one of the ships on the Holland America Line, which departed from the Wilhelminapier in decades past, carrying thousands of Europeans emigrating to the US. The three towers reach 150m high, with a gross floor area of approximately 160,000m2 [1.7 million sf], making De Rotterdam the largest building in the Netherlands. OMA’s architectural concept produces more than sheer size: urban density and diversity – both in the program and the form – are the guiding principals of the project. De Rotterdam’s stacked towers are arranged in a subtly irregular cluster that refuses to resolve into a singular form and produces intriguing new views from different perspectives. Similarly, the definition of the building changes according to its multiple uses internally.  The various programs of this urban complex are organized into distinct blocks, providing both clarity and synergy: residents and office workers alike can use the fitness facilities, restaurants, and conference rooms of the hotel. And these private users of the building have contact with the general public on the ground floor, with its waterfront cafes. The lobbies for the offices, hotel, and apartments are located in the plinth – a long elevated hall that serves as a general traffic hub for De Rotterdam’s wide variety of users.”

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