• Rem KoolhaasCecil BalmondSerpentine Gallery Pavilion, London, England, 2006 (via iwanbaan)

  • Anselm Kiefer, Man Under a Pyramid, 1996

  • Michael Lange, “Forest” Landscapes of Memory #2016, 2010 (via arsvitaest)

    (via mythologyofblue)

  • Andrew Kovacs, Proposal for a Skyscraper, 2014 (via archiveofaffinities)

  • Mario Chiattone, Cathedral, 1914 (via hadrianestou)

    Unremarkable at first glance as typical Futurism, however, this drawing proposes a pre-postmodern critique of the Romanesque / Gothic Church with its dominant westwork. Seen through this lens, modernism, and historical architecture blur in adapting formological conventions to emerging materials and expressions of the fin-de-siecle. 

    (via rosswolfe)

  • Tod Williams and Billie Tsien, Late Entry to the Tribune Tower Competition, Chicago, IL, 1980 (via archiveofaffinities)

  • Robert Rauschenberg, Odalisk, 1955-8 (via archiveofaffinities)

  • Lyonel Feininger, The White Man, 1907 (via goldbug)

    (via shellypolitik)

  • Michael Waraksa, Untitled (Atlanta), c. 2014

  • Ulrike RosenbachFemale Energy Change, 1976 (via grupaok)

    (Source: art-alarm.de)

  • Pablo Picasso, The Blue Room over The Bow-Tied Man, 1901

  • Pablo PicassoPortrait of Ambroise Vollard, 1910 (via lonequixote)

    (via rosswolfe)

  • Etienne Gelinas, Untitled, c. 2013

  • Stephen Willats, Surfing With The Attractor, 2012 (via grupaok)

    (Source: southlondongallery.org)

  • NP2F Architectes, Plan and Section of the Fashion Museum, Tokyo, Japan, c. 2010 (via n-architektur)

    (via archidose)