"He held radical light
as music in his skull: music
turned, as
over ridges immanences of evening light
rise, turned
back over the furrows of his brain
into the dark, shuddered,
shot out again
in long swaying swirls of sound:

reality had little weight in his transcendence
so he
had trouble keeping
his feet on the ground, was
terrified by that
and liked himself, and others, mostly
under roofs:
nevertheless, when the
light churned and changed

his head to music, nothing could keep him
off the mountains, his
head back, mouth working,
wrestling to say, to cut loose
from the high unimaginable hook:
released, hidden from stars, he ate,
burped, said he was like any one
of us: demanded he
was like any one of us."
A.R. Ammons, “He Held Radical Light,” c. 1971
"The richest ideas are left in the dustbin of history; the more discredited on the platform of good taste, the more innovative on the platform of content."
Rem Koolhaas, c. 1991
"I’m horrified by the fatality that leads each generation to contradict the preceding one."
Rem Koolhaas, c. 1990
British Army, WWI Aircraft Detection before Radar (radio detection and ranging), c. 1917 (via polychroniadis) 

British Army, WWI Aircraft Detection before Radar (radio detection and ranging), c. 1917 (via polychroniadis

(Source: ztox)

Roland Barthes, Diagrams of Myth in Contemporary Society from Mythologies, 1957

Paris-March, July 1955
Used by Roland Barthes to explain the function of Myth in contemporary society in his Mythologies of 1957.

Paris-March, July 1955

Used by Roland Barthes to explain the function of Myth in contemporary society in his Mythologies of 1957.

Ogden and Richards, Triangle of Reference from The Meaning of Meaning, 1923
This Semiotic Triangle “is a model of how linguistic symbols are related to the objects they represent. The triangle was published in The Meaning of Meaning (1923) by Ogden and Richards. The relations between the triangular corners may be phrased more precisely in causal terms as follows:
The matter evokes the writer’s thought.
The writer refers the matter to the symbol.
The symbol evokes the reader’s thought.
The reader refers the symbol back to the matter.”
_

Ogden and Richards, Triangle of Reference from The Meaning of Meaning, 1923

This Semiotic Triangle “is a model of how linguistic symbols are related to the objects they represent. The triangle was published in The Meaning of Meaning (1923) by Ogden and Richards. The relations between the triangular corners may be phrased more precisely in causal terms as follows:

  1. The matter evokes the writer’s thought.
  2. The writer refers the matter to the symbol.
  3. The symbol evokes the reader’s thought.
  4. The reader refers the symbol back to the matter.”

_

Architecture Ryan Gosling, 2012
Arkham Project, Restaurant in the Teatro Sociale, Como, Italy, 2010 (via subtilitas)

Arkham Project, Restaurant in the Teatro Sociale, Como, Italy, 2010 (via subtilitas)

Superstudio, Cube Forest on the Golden Gate, San Francisco, CA, 1972 (via ummhello)

Superstudio, Cube Forest on the Golden Gate, San Francisco, CA, 1972 (via ummhello)

Rick Gooding, Meditations on Jules Verne’s Journey to the Center of the Earth, c. 2011 (via ethel-baraona)
“Was I to believe him in earnest in his intention to penetrate to the centre of this massive globe? Had I been listening to the mad speculations of a lunatic, or to the scientific conclusions of a lofty genius? Where did truth stop? Where did error begin?”

Rick Gooding, Meditations on Jules Verne’s Journey to the Center of the Earth, c. 2011 (via ethel-baraona)

“Was I to believe him in earnest in his intention to penetrate to the centre of this massive globe? Had I been listening to the mad speculations of a lunatic, or to the scientific conclusions of a lofty genius? Where did truth stop? Where did error begin?”

TIME’s 2011 Person of the Year is The Protester (via timemagazine)

Minjeong An, Assorted Self Portraits, c. 2011 (via prostheticknowledge)

These diagrammatic self-portraits of the artist provide a digital interpretation of the Vitruvian (wo)man.

Rob Voerman, Concept for a Station Building, Deventer, Netherlands, c. 2011

Rob Voerman, Concept for a Station Building, Deventer, Netherlands, c. 2011

(Source: polychroniadis)

Mirra Alfassa and Roger Anger, Auroville, 1968 (via polychroniadis)
“Auroville is meant to be a universal town where men and women of all countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities. The purpose of Auroville is to realize human unity.”

Mirra Alfassa and Roger Anger, Auroville, 1968 (via polychroniadis)

“Auroville is meant to be a universal town where men and women of all countries are able to live in peace and progressive harmony, above all creeds, all politics and all nationalities. The purpose of Auroville is to realize human unity.”

Theme created by: Roy David Farber and Hunson. Powered By: Tumblr...
1 of 181